Panasonic LUMIX DMC-G6: The Mini GH3

Panasonic LUMIX DMC-G6

Panasonic LUMIX DMC-G6

The video expertise of the Panasonic LUMIX DMC-G6 is inspired by the GH3, and as Raj Lalwani finds out, it isn’t a bad stills camera either.

Just before I left for a long trip last month, I was wondering whether one should carry an extra camera to shoot video, in addition to my personal camera (an outdated model that only shoots stills). Almost on cue, the Panasonic G6 arrived at the BP office, with a rich feature set and extensive video control.

The G6 is so packed with video features that it can be called the younger sibling of the high-end GH3. The G6 uses an older sensor though. It incorporates the 16MP sensor first seen in the GH2, but with some modifications. The GH2 had a multi-aspect sensor. This meant that there was no resolution loss when shooting stills at different aspect ratios. The G6 does not have this feature, but the light-gathering capability has been improved. Along with the improved JPEG engine that one saw in the GH3 and GX1, this has brought image quality up to the level that one sees in other MFT cameras like the Olympus OM-D.

This is a speedy camera. It shoots up to 5fps with AF between frames. If one accesses the completely silent electronic shutter, the camera fires away 4MP files at 40fps!

The tilt-and-swivel LCD allows creative perspectives with the camera held up high. Exposure: 1/200sec at f/8 (ISO 640) Photograph/ Raj Lalwani

The tilt-and-swivel LCD allows creative perspectives with the camera held up high.
Exposure: 1/200sec at f/8 (ISO 640) Photograph/ Raj Lalwani

WiFi is a big addition to the G6 and besides the usual uploads and backups one can do, it is possible to control the camera remotely, while using the Panasonic Image App. Not only can one trigger the shutter through the app, you can also adjust focus, exposure and even zoom in and out if there is a power zoom lens attached.

The G6 is also NFC-enabled, which makes the WiFi process much smoother. The only part I wished was smoother was Facebook uploads. If one wants to do this directly, they need to set up the LUMIX gateway account, for which computer access is necessary.

The video features see a complete overhaul. So you can shoot Full HD video at multiple frame rates with full manual control. Additionally, the Extra Tele Converter mode gives a 4.8x crop factor, but far superior quality. The video quality in the ETC mode easily surpasses that of other photo-video cameras. Curiously, the G6 gets a few features that are not even there in the more expensive GH3! The ETC mode in the G6 can shoot Full HD video at 60p, unlike the GH3 which tops at 30p (in this mode). There is also focus peaking, a welcome addition that GH3 users miss!

Of course, besides the pro video functionality, one must remember that LUMIX cameras have a direct advantage over DSLRs as they can use AF quickly during video. This is also the first time that a LUMIX kit lens has the HD tag, which basically implies silent focusing while shooting video. Before this, one needed to invest in the far more expensive (but longer reaching) 14–140mm to get the same experience.

The touchscreen is now capacitative—as responsive as any cellphone. I sometimes found it too responsive though… since I am a left-eye shooter, my nose unconsciously ended up activating AF points sometimes. So I would either switch off the touchscreen or if I wished to use it (it is useful and gives you 2 extra Fn buttons) I would swivel the screen outwards.

The EVF’s resolution does not match that of the competing Sony NEX-6, it is bright, clear and does not share the tearing problems that have plagued some of the previous LUMIX cameras. I found the eye sensor that switches between the EVF and the LCD quite slow.

Photograph/ Raj Lalwani

Photograph/ Raj Lalwani

In terms of AF, the G6 is not as fast as the OM-D, but I never found myself missing a single photograph. Touch AF works very well, especially in video as the camera pulls focus smoothly, much like you would with a professional focusing rig.

The video quality is spectacular and the images do not disappoint. Colours are a little cooler than desirable, but their rendition is consistent across the ISO range. Files are extremely sharp and have excellent dynamic range. The JPEG engine has undergone a lot of improvement in the past few years, but one would want to use RAW with this camera—especially considering how sharp most Micro Four Thirds lenses are.

The only disappointment is battery life. Considering that you may want to shoot a lot of video, you should buy at least three spares. For a still photographer too, one extra battery while travelling is a must.

The Panasonic G6 is an excellent camera that will appeal to both stills and video enthusiasts. It faces some stiff competition, but shines through to get the crown of the best entry/mid-level Micro Four Thirds camera, till date. Though its Indian pricing has not been decided yet, one can say that it offers tremendous value in a small, unassuming package.

Inbuilt WiFi, NFC, a wealth of video features, electronic shutter, HD kit lens with OIS
High ISO quality not the best in this price range, stunning video, poor battery life
Build Quality
Made of strong polycarbonate
Superb grip, very good touchscreen, 7 Fn buttons, EVF eye sensor is a little slow
Warranty & Support
Three year warranty with limited service network


MRP USD 749 (approx. Rs. 44,200), with 14–42mm f/3.5-5.6 Mega OIS HD lens. Indian pricing not announced yet, but as per our experience, will be higher
VALUE FOR MONEY 3 ½ /5 Stars
Who should buy it? Travellers and filmmakers who demand quality in a lightweight package.
Why? Most people do not need the build quality of the GH3. The G6 has a few lesser features, but also has some new ones. And the image quality is very good too!
Tags: Raj Lalwani, better photography, july, mirrorless camera, lumix, 2013, Panasonic LUMIX DMC-G6, video features