Akshay Mahajan captures the plight of those who have lost their homes in the name of development, and the rehabilitation woes that they face.
This story was originally published in December 2011.
This is the story of a 16-building cluster at Lallubhai Compound in Mankhurd, a far-flung suburb just within Mumbai’s city limits. The buildings rise ominously, each of them separated from the other by a space that can park only a single car. Dominoes in a hellish mass of concrete, only four of these buildings have access to direct sunlight. Housed in these rows of concrete are those who earlier lived in the slums. Welcome to Mumbai’s slum resettlement housing projects. No one moves to Lallubhai compound because they choose to. Their homes have been demolished under the claw of a bulldozer. The conditions in which they live over here are far from ideal. My photographs are an attempt to show how rehabilitation means very little. All you find is another slum, though of a concrete kind, one with far more dangerous social ramifications.
Using a Wide Angle Lens to Portray a Story
- Lenses that have a focal length of 35mm or lesser are ideal for working on photo stories as they really force you to get closer to the subject and interact with them on a more personal level.
- Wide angle lenses help you convey any subject with respect to his or her surroundings.
- They are useful because there may be a number of times that you may be working in cramped environment wherein a regular 50mm or telephoto lens may be too long.
About Akshay Mahajan
Akshay Mahajan is a photojournalist who discovered photography after a failed stint at engineering. He has been regularly shooting reportage and documentary assignments for a number of Indian and international publications and is also the co-founder of Blindboys.org, a community-driven photo space and website.
To see more of Akshay’s work, log on to www.akshayphoto.com
Tags: Akshay Mahajan, august 2011, Blindboys, Documentary, Photo feature, wide angle