Author Archive "Raj Lalwani"

Conventional albums have smiling faces, but I prefer to keep things a little ambigious to heighten the mood. Photograph/ Raj Lalwani
Features

Not Quite a Family Album

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Opinions

Is Filmmaking a More Complete Art Than Photography?

By on in Perspectives
Death of a Light Bulb, 1936. Photograph/ Harold Eugene Edgerton
Great Masters

Harold Eugene Edgerton

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He enjoys breaking the ‘rules’, and often experiments with wideangle portrait shots like this one. Photograph/Poras Chaudhary
Interviews

Photographer by Chance

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Inadequacies in image quality can be masked by converting a cell phone image to B&W. Photograph/Raj Lalwani
Features

The Best Camera

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The Great Gig in our Heads

Raj Lalwani

Last month, I decided to disappear.

Shot during the Chaddar Expedition in Ladakh, this image makes the harsh conditions of winter seem almost inviting. Photograph/Vivekanand Nagwekar
Interviews

Documentary in the Midst of Icy Cold Glaciers

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Musings on Photography, Storytelling & Life

Raj Lalwani

Raj Lalwani ponders over why the act of recounting an anecdote is much like making a picture.

Nikkor AF-S 24–70mm f/2.8E ED VR—VR the Champions

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Shot during a match between Pakistan and South Africa, this has been rated by Wisden Cricketers’ Almanack as one of the best cricket images of all time. Photograph/V V Krishnan
Great Masters

V V Krishnan

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Amit’s photos in Kashmir are a rejection of the beautiful, with an eerie sense of silence that envelopes. Photograph/Amit Mehra
Interviews

The Notes of Silence

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Since Sam’s work is so personal, he prefers to look at his images only months after he has shot them, “so that I do not make my edit based on the feelings of that particular moment.” Photograph/Sam Harris
Interviews

A Slice of Love

By on in Perspectives
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